A project started by Berlin producer Frederik Laaser, The Reason Y seeks to create deep, booming techno cuts that also connect to audiences on the dancefloor. Amalthea is a track that envelops and pulls you by keeping a steady beat and adding hypnotic effects to its many layers.
Mostrando entradas con la etiqueta Terminal M. Mostrar todas las entradas
Mostrando entradas con la etiqueta Terminal M. Mostrar todas las entradas
sábado, 24 de noviembre de 2018
domingo, 4 de noviembre de 2018
Joyhauser - 1989
Belgian duo Joyhauser turn out an impressively powerful debut EP on Terminal M with 4 steaming techno tracks. 1989 stands out for its raw simplicity and stabbing synths, backed by a hectic martial rhythm.
jueves, 11 de octubre de 2018
Metodi Hristov - Sofia
Metodi Hristov crafts a powerful and melodic sonic landscape in Sofia, the title track of his latest EP on Terminal M. A jumpy bassline and flying hi-hats provide the bedrock that anchors the floating synths above, bringing both the fury and the drama.
domingo, 23 de septiembre de 2018
Drunken Kong - How Far Do We Go
Drunken Kong keep bringing the red-hot beats, this time with the How Far Do We Go EP, on Terminal M. The title track is especially ominous and evil, with unsettling tones lying underneath the pounding kicks and rolling bass.
domingo, 26 de agosto de 2018
Alex Mine - Lost (2018 Version)
Turin´s Alex Mine brings us his reworking of his original 2017 tune Lost, accompanied by scorching remixes by Carl Cox and Roberto Capuano on Terminal M´s Lost 2018 EP. But it´s Mine´s unique touch what sets this heady, tough remake apart from the rest, his expertise in creating dark and hypnotic techno cuts that fill our need for killer beats.
lunes, 28 de mayo de 2018
Patrik Berg - Discovery (Feat. Matt Sassari)
Matt Sassari teams up with Patrik Berg for their Discovery EP, released on Monika Kruse´s classic Terminal M label. The French and German team produce unapologetic, no-nonsense techno beats, topped with impressive synth riffs and stabs, for a heady, lose-yourself-in-the-music effect. The title track is a jittery, frisky, unstoppable monster, with resounding kicks, a killer bassline and many layers of madness.
Suscribirse a:
Entradas (Atom)